By Tim Hollis
There used to be a time while rural comedians drew so much in their humor from stories of farmers' daughters, hogs, hens, and hill state excessive jinks. Lum and Abner and mom and dad Kettle will possibly not have toured fortunately less than the "Redneck" marquee, yet they have been its precursors.
In Ain't Knee-Slapper: Rural Comedy within the 20th Century, writer Tim Hollis lines the evolution of this vintage American type of humor within the mass media, starting with the golden age of radio, whilst such comedians as Bob Burns, Judy Canova, and Lum and Abner stored listeners guffawing. The e-book then strikes into the movies of the Nineteen Thirties, Nineteen Forties, and Nineteen Fifties, whilst the verified radio stars loved moment careers at the silver reveal and have been joined through live-action renditions of the cartoon characters Li'l Abner and Snuffy Smith, besides the much-loved mum and dad Kettle sequence of flicks. Hollis explores such rural sitcoms as The genuine McCoys within the past due Nineteen Fifties and from the Nineteen Sixties, The Andy Griffith Show, The Beverly Hillbillies, Green Acres, Hee Haw, and so on. alongside the way in which, readers are taken on facet journeys into the realm of lively cartoons and tv advertisements that succeeded via a exceedingly rural feel of enjoyable.
While rural comedy fell out of fashion and networks sacked exhibits within the early Seventies, the emergence of such hits as The Dukes of Hazzard introduced the style whooping again to the mainstream. Hollis concludes with a quick examine the present country of rural humor, which manifests itself in a extra suburban, redneck model of standup comedy.
Tim Hollis is the writer of various books, together with Hi There, girls and boys! America's neighborhood kid's television Programs and (with Greg Ehrbar) Mouse Tracks: the tale of Walt Disney Records.
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Extra resources for Ain't That a Knee-Slapper: Rural Comedy in the Twentieth Century
Ain't That a Knee-Slapper: Rural Comedy in the Twentieth Century by Tim Hollis